The Red Filter is Withdrawn

If you look into the entrance of one of the huge caves on the Korean island of Jeju it looks like a camera lens If you walk into the cave it looks like a screen a rectangle showing clouds and white light just like a film Director Kim Minjung delves into the bloody history of Jeju where tens of thousands were killed in a massacre in 1948 The camera follows the traces in the landscape sometimes transformed by a strident distancecreating red light accompanied by a commentary by avantgarde filmmaker Hollis Frampton Film as a means to address history and its taboos