A year in the life of an American gambler and con man circa 1963 A diaristic montage full of glimpses glances decaying ephemera and elliptical narrative An abstract crime film and like many other crime films involving larceny a sensorial exploration of the virulence of unfettered capitalism An impressionistic collage film culled from a wide variety of image and sound sources that fully exploits the hieroglyphic essence of cutouts to ponder what appropriation and stealing have in common Definitely the longest continuous film Ive ever createdLewis Klahr