This documentation of a 1982 event at the AIR Gallery in New York features a riveting performance by Wilke who is nude except for high heeledshoes and aiming a gun As she stalks the performance space like Emma Peel crossed with an exotic dancer two cameramen follow her recording her every movement Dissonant music and a voiceover text about art violence power and gender provide the aural counterpoint to her often provocative physical gestures