The documentary reflects Uku Masings life as an inner migrant during the restricted conditions in the Soviet era including the repressions by KGB and keeping quiet about the writer The main channel for distributing Masings work was manual copying As the last part of the film trilogy the film follows the scope and influence of such activity while combining the subjects of KGB Masings wife and manual copying of Masings work based on recollections by about thirty people touched by the great man