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Highlights
Life, and Nothing More…

Life, and Nothing More… Credits - Full Cast and Crew

Movie
Audience Score
77

Cast

F
Farhad Kheradmand
as Film Director
B
Buba Bayour
as Puya
H
Hossein Rezai
as Hossein
H
Hocine Rifahi
as Hocine
F
Ferhendeh Feydi
as Self
M
Mahrem Feydi
as Self
B
Bahrovz Aydini
as Self
Z
Ziya Babai
as Self
M
Mohamed Hocine Rouhi
as Self
B
Babek Ahmed Poor
as Self
H
Hocine Khadem
as Self
M
Maassouma Berouana
as Self
C
Chahrbanov Chefahi
as Self
Y
Youssef Branki
as Self
C
Chahine Ayzen
as Self
M
Mohamed Bezdani
as Self
B
Benefshah Behioudi
as Self
M
Mohamed Hassen Pour
as Self
F
Ferhed Kadimi
as Self
M
Maha Bano Chikfouad
as Self
K
Kalsim Sada
as Self
F
Fartkiss Darabi
as Self
L
Leila Nourouzi
as Self
K
Kassil Fefa
as Self
M
Mohammad Reza Parvaneh
as Self

Crew

A
Abbas Kiarostami
Director
A
Abbas Kiarostami
Writer
F
Farshad Bashirzadeh
Camera Technician
N
Nasser Ansari
Negative Cutter
B
Behrouz Abedini
Sound
M
Mohammad Reza Sokout
Assistant Camera
H
Hassan Zahedi
Assistant Camera
A
Abdolhossein Sattarpour
Production Manager
H
Hassen Afakrimi
Assistant Director
B
Behram Kadhemi
Assistant Director
H
Hassan Zahedi
Sound
J
Jasem Ghazbanpour
Still Photographer
A
Alirfa Akbari
Assistant Director
H
Homayun Payvar
Director of Photography
A
Ali Reza Zarrin
Producer
H
Hassan Zahidi
Costume Design
C
Changiz Sayad
Editor
A
Abbas Kiarostami
Editor

The Koker Trilogy

The Koker trilogy is a series of three films directed by acclaimed Iranian film-maker Abbas Kiarostami: Where Is the Friend's Home? (1987), Life, and Nothing More... (a.k.a. And Life Goes On, 1992) and Through the Olive Trees (1994). Where Is the Friend's Home? depicts the simple story of a young boy who travels from Koker to a neighbouring village to return the notebook of a schoolmate. Life and Nothing More follows a father and his young son as they drive from Tehran to Koker in search of the two young boys from Where Is the Friend's Home?, fearing that the two might have perished in the 1990 Iran earthquake that killed 50,000 people in northern Iran. Through the Olive Trees examines the making of a small scene from Life, forcing the viewer to witness a peripheral drama from Life as the central drama in Olive.