Anna an artist is obsessed with the invasion of alien doubles bent on total destruction Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages private with public spaces black white with colour still photographs with video earsplitting sounds with disruptive camera angles Anna uses her body like a map after a devastating quarrel with her lover she paints red stitches on herself Watching their scenes together we realize how seldom if ever before the details of sexual intimacy have been shown in film from the point of view from a woman Export privileges rupture over unity and never settles for onedimensional solutions
