If it is films which reveal the choreographic fatality of cinematographic interventionDominique Paini this one henceforth very much belongsdance gestures in slow motion distorted halted impregnate the film procession in a commentarymagnificentby its own unfolding back and forth In the tradition of the great Adebar Peter Kubelka 1957 Danseurs à la Gay Pride 2001 probe the origins of cinematographic movement from a photogrammatical treatment based on the ecstatic effect that the repetition of a movement procures hands faces hips shown in slow motion