Highlights

Coda I Coda II

Coda I  Coda II
NR 4 min
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Peter Gidals starting point for his 16mm film was a soundtrack that consists of three lines from a 1000 word story written by Gidal in 1971 read by William Burroughs Gidal describes the films socalled imagery as a complex of barely visible cuts in space and time the opposite of erasure but nothing so much as visible
DirectorPeter Gidal